Showing posts with label Pre-Gish. Show all posts
Showing posts with label Pre-Gish. Show all posts

Saturday, November 17, 2007

Spiteface

Spiteface seems to be a really long-running joke with the band.

They've had to fend off fans shouting for it at many shows, and often indulge in a tease or two every now and then.

As opposed to it being a high-in-demand song because of it's merits and a long-lost gem of a song, I think the joke is that this song is really bad.  It's goofy, and atrocious.  But really hilarious, too.  I mean, really? "Never piece this broken heart to you?" Yikes.  And the break in the middle is such a bad case of feigned toughness, it's like makeup-less KISS at their worst.  Which is also makeup-less KISS at their best, so I guess that's why the song is so popular.
Check out this phatty live performance:



I feel like the shirt Billy is wearing is the perfect analogy to Spiteface.


Screaming

Screaming lies in the heart of new wave Pumpkins, dating back to pre-Jimmy, drum-machine days.

Aside from the vocal-confidence-identity problems that plague all of the heavy new-wave material, Screaming is a really catchy 80's tune, and if anything, benefits from having a pretty cheap drum machine playing with it.  It's a pretty good indication of the pop-chops that would come later, but still isn't a good enough song to set the band apart from any others of the time.

Monday, October 8, 2007

She

For those who don't know, at the beginning of the band's formation, they were very much a new wave Cure-ish band.  Billy's said a billion times how much he loves the Cure, and the early songs show that very much, and not always for the better.  The biggest concern is that Billy a) doesn't really know what his voice can do yet, and b) since he doesn't, he slips into Robert Smith emulation.

All that said, there are some gems from the period.  For instance, "She."

She is based around one main riff, played on a pretty jangling guitar.  Songs based on one riff have to build things around this riff, changing the background elements in an exciting way, so that when the song reaches a place where the riff changes, it's really exciting.  I think She pulls that off great.  It's really fun and catchy, too, a good song to tap your foot and shake your head from side to side.  There's great little guitar licks being played around the main riff, and Jimmy keeps the dynamics exciting.

The lyrics leave a little something to be desired, with a pretty glaring Cure reference in the chorus (haven't we already heard a new wave song talking about the days of the week?), but the verses are simple and effective.  You're not looking for something too specific and lofty and the words, you know, since after all the song is called simply "She." 

It is funny to think about what would have been if the Pumpkins never went rock.  If Billy had learned how to control his voice, then She could had been really lifted into awesome single status, maybe.  Maybe.  Next lifetime, then.